Todd Gilchrist
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The Ten Best High-Def Gifts to Buy This Holiday Season
Filed under: Fandom, Home Entertainment
Now that Black Friday has come and gone and folks have to start making sane if vaguely desperate decisions what to get their friends and loved ones for the holidays, it seemed appropriate that Cinematical put together a list of a few items that might help cross a few names off your list. Scouring the last few months for suggestions, as well as carefully checking the slate of releases in the weeks leading up to Christmas Day, we came up with ten suggestions that will make the space under your tree seem a little less empty, and should hopefully help their recipients' lives feel a little more full - of entertainment, at the very least.
In alphabetical order:
Shelf Life: National Lampoon's Christmas Vacation
Filed under: Fandom, Home Entertainment, Shelf Life
On Thanksgiving Day this year, I sat with my girlfriend's lovely family eating turkey and watching Home Alone, and it occurred to me that in the hustle and bustle of reviewing new movies, I seldom take the time to go back and revisit the holiday movies that I remember from my childhood. Even among the titles I've viewed for this "Shelf Life" series, few of them were seminal kids movies, whether they were from my own childhood, or from those of previous or subsequent generations, and none of them have been traditional holiday or holiday-themed films.
Home Alone was a film I saw at a formative time in my young life – I was 14 or so – but National Lampoon's Christmas Vacation was probably more important to me, since it balanced gingerly on the line between family entertainment and more grown-up fare. In hindsight, it's probably more oriented for teenagers and kids than anyone, even with (or maybe because of) its abundance of potty humor, but it seemed like 20 years was about the right amount of time to take between viewings. Which is why Christmas Vacation is this week's "Shelf Life" subject. (Well, that and Warner Home Video recently released a deluxe box set including one of those moose-shaped eggnog glasses.)
Interview: 'Ninja Assassin' Director James McTeigue (Part 2)
Filed under: Warner Brothers, Interviews
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Read part one of our interview over here.
By his own admission, James McTeigue seems to be fast-becoming Hollywood's go-to guy for revenge stories. After beginning his career as an assistant director for the Wachowski brothers, he made his directorial debut with the graphic novel adaptation V for Vendetta, and is now set to release Ninja Assassin, about a martial arts master squaring off against his master and his former clan. Ironically, McTeigue is himself a generous, thoughtful and positively mellow guy, which makes his aptitude for bloody showdowns even more surprising.
Cinematical recently sat down with McTeigue at the Los Angeles press day for Ninja Assassin, where he talked about tackling his latest revenge tome. In addition to discussing the physical and philosophical origins of ninjas (and the movies that love them), he talked about protecting the cultural and ethnic integrity of his characters and story, and ruminated on the challenges of keeping a constant balance between brain-busting ideas and balletic bloodletting.
Cinematical: When you came on board this film, what was your cultural mandate for the film especially since you were featuring an Asian actor in the main role?
Interview: Viggo Mortensen
Filed under: Fandom, The Weinstein Co., Interviews
Viggo Mortensen is a study in contradictions: rugged and undeniably virile, and yet thoroughly and irresistibly sensitive; the kind of man movie stars are made from, but seemingly more satisfied in a more subdued role in a smaller film. Appropriately, his latest film is both a post-apocalyptic epic and a profound character study; The Road is an adaptation of the acclaimed Cormac McCarthy novel of the same name, and Viggo plays its main character, a father desperately trying to protect his son from an unhospitable world, both physically and emotionally.
Cinematical recently sat down with Mortensen at the film's press day to discuss his work in the film, which was directed by John Hillcoat (The Proposition). In addition to talking about navigating an unforgiving landscape, he discussed the challenges of balancing fealty to source material and simply making a fulfilling movie, and revealed a few of his own fears and insecurities when facing the prospect of sustaining a career both as a movie star and character actor, often at the same time.
You can read our interview with director John Hillcoat over here.
Cinematical: Given the richness of the source material and the familiarity that audiences will have with it, do you make an effort to draw upon the text for your character, or do you have to divorce yourself from it and focus on what's in the script?
Making The (Up) Grade: North By Northwest
Filed under: Warner Brothers, Fandom, Home Entertainment
Initially I planned to make North by Northwest a title revisited in my "Shelf Life" column, but I decided against it when I realized that most folks just love that movie to death, including myself, so seeing whether it's still good would be purely redundant. But the new Blu-ray released by Warner Brothers also didn't seem like it warranted a question of whether or not it was superior to its predecessors thanks to a wealth of bonus content – that is, until I discovered that in fact some of it was on previous versions, no doubt leaving longtime fans with a quandary whether or not to shell out a few more shekels to see one of their favorite Alfred Hitchcock films in high-definition.
As such, North by Northwest is the overdue subject of this week's "Making The (Up) Grade," and I spare no effort examining the past, present and future of this film's home video incarnations.
What's Already Available:
Interview: 'The Road' Director John Hillcoat
Filed under: The Weinstein Co., Interviews
Outside of the established and expanding franchises for book series like Harry Potter and Twilight, there don't seem to be a whole lot of literary works that audiences are just dying to see adapted – except perhaps for The Road. Remarkably, Cormac McCarthy's remarkable 2006 story of a father and son making their way across a post-apocalyptic landscape has been successfully adapted for the screen by director John Hillcoat, who eschewed 2012-style spectacle in favor of a more harrowing and humanistic portrait of two people surviving in the harshest possible environment.
Cinematical recently spoke to Hillcoat at the film's Los Angeles press day, where he was wrapping up a long afternoon of roundtables and one-on-one interviews. Thankfully, he rallied for one more short conversation about The Road, and in addition to talking about the challenges of bringing McCarthy's words to life, he spoke about conceiving the scope of the film, and finding the right faces to fill its damaged landscape.
Cinematical: You obviously began with extremely rich source material when starting to adapt The Road. What was the thing you knew you had to get right and then everything else would sort of fall into place?
Shelf Life: Fight Club
Filed under: Fandom, Home Entertainment, Shelf Life
By all accounts, 1999 was one of the best years in film history, featuring an amazing glut of debuts and career-defining follow-ups from a rich and varied roster of directors who are steadily working some ten years later. For example American Beauty, which was also released in '99, was one of the first films revisited in our "Shelf Life" series, and it seemed most likely to lose its luster, especially given its Oscar win and almost universal critical acclaim, but thankfully the film sustained most of its initial appeal and impact.
Fight Club, meanwhile, faced markedly more polarizing reactions from audiences and critics, although like Alan Ball and Sam Mendes' film it captured a moment in the zeitgeist that made it important almost regardless of how good it was. Ten years later, Fox Home Entertainment just released the film on Blu-ray in a gorgeous new set, and after a decade of conspicuous consumption and ironic detachment, it's time to see whether the weight of its message or meaning still holds relevance.
Interview: Judd Apatow (Part Two)
Filed under: Universal, Fandom, Home Entertainment, Interviews
Read Part One of this interview right here
When Judd Apatow's latest film, Funny People, was announced, many critics and audiences hailed it – even before they saw it – not only as an evolution of the filmmaker's style, but a return to the kind of drama-laced comedy that flourished in the 1980s and early '90s thanks to folks like Cameron Crowe and James L. Brooks. When it was released, the film more than satisfied those expectations, offering an unflinching but frequently hilarious portrait of an A-list comedian rediscovering himself, but there seemed to be a sense that audiences knew themselves less well than they felt like they knew the film's main character, resulting in a less enthusiastic response than perhaps even they expected.
The film arrives on Blu-ray this week, offering what is indisputably the most complete and comprehensive look behind the scenes at a comedy ever produced, and offers audiences a second chance to check out Apatow's most meaningful and resonant work to date. Cinematical got a chance to catch up with the writer-director via telephone to discuss the contents of the expansive, 2-Disc Collector's Edition; in the second part of our chat, Apatow talks about precisely what made the movie so personal for him, and offers a few insights about its place in his growing body of work, and its potential influence on his future films (including a Harry Potter movie, maybe?).
Cinematical: With or without talking to you at the time of the film's release, people seemed to assume that this was a very personal film, I think because it was more serious than your previous work. Was it really personal, and if so in what way or why?
Interview: Jason Schwartzman
Filed under: Fox Searchlight, Interviews
Personally speaking, I've been a fan of Jason Schwartzman since he and writer-director Wes Anderson collaborated on Rushmore and created what I still think is a definitive portrait of the beautiful torment of teenage life. While of course Anderson and co-writer Owen Wilson conceived the ideas, Schwartzman fleshed them out both literally and emotionally, offering a character that was weird and idiosyncratic but also remarkably relatable, not the least of which because it seemed like the actor was going through many of the same things as his on screen counterpart.
Eleven years later, Schwartzman has matured into one of the most versatile and interesting actors in Hollywood, even if, as he himself puts it, he isn't yet able to "get a part like someone can order a pizza." His latest film reunites him with Anderson for the fourth time, playing another kid who's growing up way too fast in Fantastic Mr. Fox. In addition to talking about tackling another coming of age story, Schwartzman discusses his own Hollywood story, and offers a few insights about the interesting filmmakers with whom he works so frequently, and so closely.
Cinematical: You've worked with a number of filmmakers, such as Sofia Coppola and David O. Russell, who have very specific visions for their films. How is Wes different, whether it was just on Fantastic Mr. Fox or in general, that makes your collaboration more satisfying?
Making The (Up) Grade: Rocky
Filed under: United Artists, Fandom, 20th Century Fox, Home Entertainment
While new Blu-rays of old movies are sometimes dubious replacements for prior editions (hence the need for this column), box sets released in the high-definition format have thus far been fairly helpful, at least in terms of shelf space: many or most of them forego a lot of the frills and flourishes of their standard-definition iterations in favor of more streamlined packaging. Unfortunately, that's also sometimes extended to their extras, thanks in no small part to the legal entanglements of transferring commentaries and bonus content from one format to another.
Both Warner Brothers and Fox have faced this challenge a couple of times thanks to their ownership/ adoption of the libraries of MGM and United Artists, which until a few years ago issued their own releases. Rocky, which is one of United Artists' premier franchises, was recently released on Blu-ray in The Undisputed Collection, a set that contains all six of the films in the series, but it remains to be seen whether complete also means comprehensive in this particular case.
What's Already Available:
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